Manoj Bajpayee’s s*x scenes from the film have gone viral on social media ever since it streamed on Zee5 on December 13.

Manoj Bajpayee has gloriously completed 30 years in Hindi cinema.

His rise happened with titles like Bandit Queen and Satya, and his resurrection happened with films like Raajneeti and Gangs Of Wasseypur.

And ever since then, there has been no stopping for this explosive actor. On OTT, he gave the iconic The Family Man that is gearing up for season three.

And Bajpayee was recently seen in Zee5’s film Despatch directed by Kanu Behl.

He plays a journalist called Joy modelled after the late journalist Jyotrimoy Dey.

Manoj Bajpayee’s s*x scenes from the film have gone viral on social media ever since it streamed on Zee5 on December 13.

Here’s what netizens have to say.

Manoj Bajpayee and his bold avatar

Manoj Bajpayee is a go-getter when it comes to his job in the film, at home and any other space he occupies, he’s a leech.

He is a toxic husband to his wife Shahana Goswami but gets intimate with her in one key scene.

Here’s the viral video where the couple, whose marriage is on the rocks and ultimately falls apart, embrace each other with all abandon:

‘Does Manoj Bajpayee also feel the need to do all this now?’

There’s his physical relationship with his colleague Arrchita Aggarwal too and that scene went viral as well.

One user saw the scene and wrote- “Does he also feel the need to do all this now?”

Another user wrote- “Did #ManojBajpayee just redefine explicit? Not sure if I’m amazed or speechless right now.”

Manoj Bajpayee on Despatch

Talking about his character, the actor told Firstpost, “You know what is the best thing about a script, that you know it is on the surface of it, there is one genre that you can see, but you know that it’s not going to be about that.

It is a going to be about something else. Those kinds of really fascinate me a lot.”

The Aks actor added, “Is journalism left nowadays?

We should go back to the old days of journalism when it used to have its own very strong identity.

Everything is now being told to us, if you want your film to be featured anywhere there is a price to it.

The journalism of the 90s was unbreakable. There must be some other truth. I am not aware of it.”